The cultures of New Ireland in Papua New Guinea\u2019s Bismarck Archipelago are well known for elaborate ceremonies. These form parts of commemorative ritual cycles extending over many years. In the northern half of the province, malagan<\/em>, intricate multicoloured wooden carvings, famous among Western scholars and collectors since the nineteenth century, are produced as part of mortuary rituals. Although equally fascinating, the arts of the southern regions have attracted far less attention. They are primarily comprised of performative forms of aesthetic expression, including men\u2019s house songs, dozens of different dances applying delicate ornaments, and masks made from plant materials. Many but not all of these art forms are linked to secret societies; up to the present day they remain under-researched and little understood. This book examines religious beliefs, forms of art and ritual practices of the people of the Anir islands in the remote south of New Ireland, and thus contributes to closing this research gap. The study investigates Anirian concepts of cosmic relations and spirit beings, which provide the background to, and constitute the basis of, rituals, mask production, dances and other performances. All these components form part of an integral system of thought. Their relations and interdependencies are explained and their mode of action, their efficacy as well as their meaning are analysed, thus yielding insight into the dynamic ways in which art is conceptualized and operates in Anir culture and ritual.<\/p>\n","protected":false},"excerpt":{"rendered":" ANTJE S. DENNER The cultures of New Ireland in Papua New Guinea\u2019s Bismarck Archipelago are well known for elaborate ceremonies. These form parts of commemorative ritual cycles extending over many years. In the northern half of the province, malagan, intricate multicoloured wooden carvings, famous among Western scholars and collectors since the nineteenth century, are produced […]<\/p>\n","protected":false},"author":1,"featured_media":1298,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-surveys"],"meta_box":{"image_advanced_bajytcpz939":[{"width":150,"height":150,"file":"2021\/05\/Anir-ch-I_AD2004-walwal-PICT012.jpg","sizes":{"medium":{"file":"Anir-ch-I_AD2004-walwal-PICT012-300x225.jpg","width":300,"height":225,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I_AD2004-walwal-PICT012-300x225.jpg"},"thumbnail":{"file":"Anir-ch-I_AD2004-walwal-PICT012-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I_AD2004-walwal-PICT012-150x150.jpg"},"medium_large":{"file":"Anir-ch-I_AD2004-walwal-PICT012-768x576.jpg","width":768,"height":576,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I_AD2004-walwal-PICT012-768x576.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1299","name":"Anir-ch-I_AD2004-walwal-PICT012.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I_AD2004-walwal-PICT012.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I_AD2004-walwal-PICT012-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I_AD2004-walwal-PICT012.jpg","title":"Ceremonial fishing in the lagoon of Banakin for a ritual feast. Village of Banakin. Photo Antje S. Denner, 2004.","caption":"Ceremonial fishing in the lagoon of Banakin for a ritual feast. Village of Banakin. Photo Antje S. Denner, 2004.","description":"","alt":"","srcset":false},{"width":150,"height":150,"file":"2021\/05\/Anir-ch-I-fig-19_AD2011-IMG_2158.jpg","sizes":{"medium":{"file":"Anir-ch-I-fig-19_AD2011-IMG_2158-225x300.jpg","width":225,"height":300,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-19_AD2011-IMG_2158-225x300.jpg"},"thumbnail":{"file":"Anir-ch-I-fig-19_AD2011-IMG_2158-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-19_AD2011-IMG_2158-150x150.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1300","name":"Anir-ch-I-fig-19_AD2011-IMG_2158.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-19_AD2011-IMG_2158.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-19_AD2011-IMG_2158-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-19_AD2011-IMG_2158.jpg","title":"Frida Kisoangkorofi with her son Lionel in the midst of the \"mami\" plants in her huge garden. Tafnamale, village of Balngit. Photo Antje S. Denner, 2011.","caption":"Frida Kisoangkorofi with her son Lionel in the midst of the \"mami\" plants in her huge garden. Tafnamale, village of Balngit. Photo Antje S. Denner, 2011.","description":"","alt":"","srcset":false},{"width":150,"height":150,"file":"2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568.jpg","sizes":{"medium":{"file":"Anir-ch-I-fig-23_AD2011-IMG_1568-300x225.jpg","width":300,"height":225,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568-300x225.jpg"},"thumbnail":{"file":"Anir-ch-I-fig-23_AD2011-IMG_1568-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568-150x150.jpg"},"medium_large":{"file":"Anir-ch-I-fig-23_AD2011-IMG_1568-768x576.jpg","width":768,"height":576,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568-768x576.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1301","name":"Anir-ch-I-fig-23_AD2011-IMG_1568.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-I-fig-23_AD2011-IMG_1568.jpg","title":"When pigs are contributed to a mortuary ritual, they are laid out in front of the men's house; the giver steps on the animal with one foot and ceremonially presents it to the feast organizer, telling him the reason for the gift. Richard Sokit presenting a pig in the name of his sister's son Peter, who had been observing \"an du\" taboos after the death of his grandfather Pius Tusot, which were lifted in the course of the ritual. Village of Warambana. Photo Antje S. Denner, 2011.","caption":"When pigs are contributed to a mortuary ritual, they are laid out in front of the men's house; the giver steps on the animal with one foot and ceremonially presents it to the feast organizer, telling him the reason for the gift. Richard Sokit presenting a pig in the name of his sister's son Peter, who had been observing \"an du\" taboos after the death of his grandfather Pius Tusot, which were lifted in the course of the ritual. Village of Warambana. Photo Antje S. Denner, 2011. 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Village of Balngit. Photo Antje S. Denner, 2011.","caption":"Cemetery and carved post from a former ceremonial house at Malekorai. Village of Balngit. Photo Antje S. Denner, 2011.","description":"","alt":"","srcset":false},{"width":150,"height":150,"file":"2021\/05\/Anir-ch-IV_AD2001-16-16.jpg","sizes":{"medium":{"file":"Anir-ch-IV_AD2001-16-16-195x300.jpg","width":195,"height":300,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-16-16-195x300.jpg"},"thumbnail":{"file":"Anir-ch-IV_AD2001-16-16-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-16-16-150x150.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1311","name":"Anir-ch-IV_AD2001-16-16.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-16-16.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-16-16-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-16-16.jpg","title":"\"Paparip\" dancers with a popular form of headdress that depicts \"ansalen\", a certain type of sea urchin. 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Denner, 2001.","description":"","alt":"","srcset":false},{"width":150,"height":150,"file":"2021\/05\/Anir-ch-IV_AD2001-12-18.jpg","sizes":{"medium":{"file":"Anir-ch-IV_AD2001-12-18-300x206.jpg","width":300,"height":206,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-12-18-300x206.jpg"},"thumbnail":{"file":"Anir-ch-IV_AD2001-12-18-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-12-18-150x150.jpg"},"medium_large":{"file":"Anir-ch-IV_AD2001-12-18-768x526.jpg","width":768,"height":526,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-12-18-768x526.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1310","name":"Anir-ch-IV_AD2001-12-18.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-12-18.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-12-18-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-IV_AD2001-12-18.jpg","title":"Male dancers from the village of Banakin presenting a \"tangwan lor\" dance at the opening of the Pentecostal church at Nanlel. Village of Galisu. Photo Antje S. Denner, 2001.","caption":"Male dancers from the village of Banakin presenting a \"tangwan lor\" dance at the opening of the Pentecostal church at Nanlel. Village of Galisu. Photo Antje S. Denner, 2001.","description":"","alt":"","srcset":false},{"width":150,"height":150,"file":"2021\/05\/Anir-ch-III-fig-62_AD2001-22-28.jpg","sizes":{"medium":{"file":"Anir-ch-III-fig-62_AD2001-22-28-300x201.jpg","width":300,"height":201,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-62_AD2001-22-28-300x201.jpg"},"thumbnail":{"file":"Anir-ch-III-fig-62_AD2001-22-28-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-62_AD2001-22-28-150x150.jpg"},"medium_large":{"file":"Anir-ch-III-fig-62_AD2001-22-28-768x515.jpg","width":768,"height":515,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-62_AD2001-22-28-768x515.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1309","name":"Anir-ch-III-fig-62_AD2001-22-28.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-62_AD2001-22-28.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-62_AD2001-22-28-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-62_AD2001-22-28.jpg","title":"Anir-ch-III-fig-62_AD2001-22-28","caption":"Last walk of the \"dead\" \"tombuan\". A few days after the performances, the masks are \"killed\", their eyes are smeared with black paint and before they \"leave\" they are led to the hamlets of their owners; members of the \"taraiu\" of Satulai crossing the Nifin River.","description":"","alt":"","srcset":false},{"width":150,"height":150,"file":"2021\/05\/Anir-ch-III-fig-57_AD2001-22-36.jpg","sizes":{"medium":{"file":"Anir-ch-III-fig-57_AD2001-22-36-300x201.jpg","width":300,"height":201,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-57_AD2001-22-36-300x201.jpg"},"thumbnail":{"file":"Anir-ch-III-fig-57_AD2001-22-36-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-57_AD2001-22-36-150x150.jpg"},"medium_large":{"file":"Anir-ch-III-fig-57_AD2001-22-36-768x515.jpg","width":768,"height":515,"mime-type":"image\/jpeg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-57_AD2001-22-36-768x515.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1308","name":"Anir-ch-III-fig-57_AD2001-22-36.jpg","path":"\/home\/clients\/5430092b271085efa9501c5c032c54b3\/sites\/fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-57_AD2001-22-36.jpg","url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-57_AD2001-22-36-150x150.jpg","full_url":"https:\/\/www.fondation-culturelle-barbier-mueller.org\/wp-content\/uploads\/2021\/05\/Anir-ch-III-fig-57_AD2001-22-36.jpg","title":"Joachim Tokas acting as the mask's guardian during the \"tombuan\" dance at Verambif. Photo Antje S. Denner, 2001.","caption":"Joachim Tokas acting as the mask's guardian during the \"tombuan\" dance at Verambif. Photo Antje S. 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Photo Antje S. Denner, 2002.","caption":"Performance of the \"tombuan\" Kanai during a mortuary ceremony in the village of Warantaban. Photo Antje S. 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